Michael Sowa and his pigs.

Pork Soup by Michael Sowa 

One of my favourite imaginary, kind of surreal films is  Jean-Pierre Jeunet’s  Le Fabuleux Destin d'Amélie Poulain. Widely knows as  Amélie. Above Amélie bed in her bedroom are hanging pictures/ prints of Michael Sowa. One of the pictures is "Fowl with Pearls" and another is 'Filmhoud".  Michael Sowa is a German surrealist illustrator and painters. He belongs to the most noted  illustrators in Germany. A wider public got aware of him through his illustrations for Axel Hacke’s publications. He used a pseudonym Heinz Obein.

In 1995 Michael Sowa was awarded with the Olaf-Gulbransson-Preis, in 2004 he received the Berlin Bookprice in the category Children’s Books for ‘Prinz Tamino’. Besides many book projects he works for newspapers such as Die Zeit and The New Yorker.

His work has been exhibited in the Wilhelm-Busch-Museum Hannover, in the Kunsthalle Oldenburg, at The Liebenweintrum in Burghausen and repetedly in Japan. In 2009 his 130 works were show in Japan, in Tokyo,   Kyoto and Yokohama.

His works/ imagination has something similar with René  Magritte's work. There is one fundamental difference between them, Sowa is a better painter (qua technique) than Magritte.  Magritte was more illustrator than painter. His paintings are really badly made from the point of view of an perfectionist- painter par excellent like me.

I have been trying to find some more personal/ biographical information about Michael Sowa but couldn't really find a lot about him. He was born in 1945 in Berlin, finished Art Pedagogic College. His name is a Polish one. Sowa means Owl in Polish.

There is a book available on Amazon entitled Sowa's Ark, with a collection of  over fifty farm animal-centric images.

A miniature pig splashes around in a bowl of soup; a duck leads a wheelbarrow down a lane; a woman gently strokes her daughter's face with a live rabbit in a dimly lit room. This work provides a journey into the imagination of artist Michael Sowa where a menagerie of bizarre animals take on complex personae. Using rich textures and inventive techniques of paint and varnish, these pictures achieve the otherworldly look of a surrealist fairy tale. -  From Amazon description 

His work is full of eccentric, humours, bizarre, fabulous stories most of them about animals. I love paintings which tell stories. His technique is 'magnifique'.

Here is the cover of his book from Amazon.



 I just order Sowa's Ark. Soon I will post more about him.

Below are some images of his paintings, which I really like.

School of Fish 

The Bear by Michael Sowa

Flying Pig by Michael Sowa

2012 Calendar - Betelgeuse and Mintaka

2012 Calendar

Betelgeuse and Mintaka Calendar

From my Series Blueberryland

Blueberryland – The adventure in the Blueberry Hole

Blueberryland is full of unpredictable and unexpected phenomena.

The Adventure in the Blueberry Hole - acrylics on canvas 40 cm x 40 cm
by Kasia B.Turajczyk

 Just when Blueberryer and Blueberryess wanted to go for a nice, evening walk suddenly out of the blue a golden and blue hole opened its mouth and both of them were taken into a new adventure. Maybe they could even wake up in a new Universe? Can they survive inside the blueberry hole? Is there a way to escape from it? Is the blueberry hole less dangerous than an ordinary black hole? Can Blueberryer rescue his Blueberryess without his Golden bike?

A detail from The Adventure in the Blueberry Hole

A great trio from the past - surreal female artists: Remedios Varo, Kati Horn and Leonora Carrington.

Before June 15, 2011 I had never heard about Remedios Varo, Leonora Carrington or Kati Horna. It just so happened that I had been reading about Leonora Carrington in Time magazine (June 13, 2011) in the Milestones section. She had passed away at the age of 94. Not that I knew Leonora Carrington very well. But because she was a partner to Max Ernst and I am a big fan of his art it made me curious about hers. I decided to begin a search for this female surrealist painter, sculptor and writer; very much unknown to me. First I went through all my books about surrealism, about modern art history. I found nothing. I searched in the books that I posses about Max Ernst, nothing either. The next step was getting online of course.  I wanted to discover more about her and her art work. Most of the posts I could find online mentioned her death. Independent, Guardian, Telegraph all the papers were telling the story about Britain's lost and unknown great surrealist painter. “English surrealist painter and sculptor regarded as a national treasure in Mexico” (from The Guardian). Within her own family, Leonora Carrington was rarely mentioned, the rebel who had run off to be an artist’s model. But when Joanna Moorhead tracked down her long-lost cousin in Mexico, her eyes were opened to the extraordinary story of the last surviving member of the great Surrealists (from the Daily Telegraph). And so on and so on.

I went to Amazon and did a search for surreal female artists. I ordered three books which were available about female surreal artists. One is an album including paintings of most surreal female artists. The other two are wonderfully written and illustrated books. One is a biography about Remedios Varo (maybe more about her artistic achievement) written by Janet A. Kaplan. The last one is about the friendship and artistic creation of three surreal artists from European backgrounds who all lived and worked in Mexico. I discovered that Leonora Carrington had two very good friends in Remedios Varo and Kati Horna. Remedios Varo was a surreal artist and writer like Leonora Carrington herself. Kati Horna was an exceptionally brilliant photographer.  Kati Horna as well as Remedios Varo were/are incredibly original and talented artists. They are as great as Max Ernst, Man Ray, Joan Miro, Salvador Dali, Meret Oppenheim or Andre Masson, Paul Klee or Rene Magritte (who by the way wasn’t really a good painter – he was a great illustrator). They are absolutely better than Frida Kahlo (from my point of view).

From the great trio: Carrington, Horna and Varo; works of Remedios Varo and Kati Horna speek/ convince me most.

Kati Horna, Stairway to the Cathedral, photo-montage; Spain 1937

Remedios Varo, Harmony, 1956, oil on masonite.

Remedios Varo, Phenomenon of Weightlessnes, 1963; oil on canvas

The book about Remedios Varo included almost all her work. I fell in love immediately with her paintings. They are amazingly mysterious, scientifically imaginary, mathematically sophisticated and aesthetically absolutely beautiful.
You can probably imagine my feeling of embarrassment, surprise and disbelief that not even in one of the thousands books about art that I own could I find even one mention of her. After seeing her incredibly original art I felt kind of stupid and ashamed that I didn’t know Remedios Varo before. Expect lots of posts about her in the near future from me……..maybe even tomorrow!

From my new surreal/fantastic series - The Blueberry Lovers

This is the first painting from the surreal/fantastic series 'The Blueberry Lovers'. We have a boy called Blueberryer and a girl called Blueberryess. They are very much in love. But Blueberry Land is full of sophisticated robots, dangerous insects, unforeseen and unpredictable phenomena. Blueberry Land is also a land of mad scientists with their insane but at the same time brilliant inventions. The Quantum Blueberry Land.

This is the beginning of their story:

There is a golden night in Blueberry Land. The Blueberryer is cycling on his golden bike. He is in a hurry; he is worried about his Blueberryess. She is hidden in a golden cage. She was hidden there by a vicious Spider-witch. The witch wants to suck the delicious blueberry sweet-scented juicy life from the Blueberryess. Can the Blueberry Biker arrive in time to rescue his lover? Can they live together happily ever after in Blueberry Land?

"Blueberry Biker on his way to his lover hidden in a golden cage"

Own technique on canvas, 40 cm x 40 cm; 2011 (sold)

Detail - Blueberry Biker 

Detail - the spider's golden cage 

Visionary art in Cornwall - Tom Paddle

I have a ritual when it comes to my own birthday; I like to be on the road. Generally, I think that a birthday, for various reasons, practical as philosophical, is an event which is best not to talk about, which should be quickly erased from ones memory. This year we had planned to go to Florence, Tuscany, but we ended up in Cornwall, South West England, instead. It was absolutely beautiful, very windy, wild, historical and highly artistic. We stayed in the Artist Residence Hotel  in Penzance which was run by artists. The staff was extremely friendly. - I sincerely recommend it.

We decided to devote the last day to the arts. Within the framework of Cornwall Open Studios, we visited two group exhibition in West Cornwall, and one individual studio in Mid Cornwall.  The last studio that we visited was an unusual one. From a list of two hundred and five artists and craftspeople, I wanted to see this the most. Why? Because it was the studio of a visionary artist. This was the only visionary painter I could find in the whole catalogue. And so it happened that we went to Sunnyside Cottage in Trescoll, Lockengate, close to the Eden Project. There we met Tom Paddle.
 Tom Paddle is a remarkable person, not unusual for someone from the peace-happiness-flower-power-generation. He told us that he has always been immersed in the study and practices of paganism and the occult – gods and goddesses, mythology and folklore. He is surrounded by a magical, beautiful nature.

My art is my life. Everything I paint is a reflection of my surroundings in the beautiful Cornish countryside. My inspiration comes from looking for shapes and patterns in nature however mundane. Similarly, when I paint, I allow images to emerge from the random patterns on a semi-blank canvas and have always found the practice similar to "automatic writing" of psychics

He is also a naturalist and herbalist. He spends much of his time in the woods. He is also a trout and sea trout fisherman. He is a very diverse person. He is also known as a musician playing Celtic folk and mediaeval music, and he has a collection of historical instruments. He also writes poetry and fiction and performs as a storyteller with a gang of bawdy puppets. Woo, he is a real Renaissance Man.

Back to his art; he is a very good craftsman, an excellent one. Personally, I am not a big fan of visionary art. I find that lots of art works that belong to or are classified as visionary art are very kitschy and “cheap”. In contrast to the surrealists, they tend to be rather serious and lacking in humour. There is no place for playful idiocy. However, I have to admit that I really like most of Tom’s paintings. The majority of his paintings are created in acrylics or water color crayons or a mixture. He paints lots of visionary landscapes, scenes and gods/goddesses, and other creatures from diverse mythologies, the early history of our planet and folklore. His technical skills are excellent. For myself, I love his portraits, faces of the goddesses, spirits of nature, shamans and other creatures. They are really magical. We bought a print of one of his visionary portraits; Woodspirit. Here is the image of this work.

Woodspirit by Tom Paddle

I think he is a good portraitist. But decide for yourself, here are two other images of Tom's paintings, the one I liked.

Puck - Woodland God

Pneuma - The Breath of Life

Here is the link to his website with diverse work: http://www.tompaddleart.co.uk

The enigmatic poet of Nostalgia and Melancholia:Giorgio De Chirico; Part II

Click here for part I  of De Chirico the enigmatic poet.

In Paris from 1911 until the outbreak of the First World War Giorgio de Chirico developed his ‘metaphysical painting’.  Those artworks are very enigmatic, self-consciously enigmatic. There is lots of inspiration and influence from mythology, philosophy, Freudian psychoanalysis and probably his own experience. De Chirico was born in Greece in 1888 from Italian parents. He was born in the city of Volos, an ancient mythological city, the city where the expedition and the adventure of Jason and the Argonauts search for the Golden Fleece began.  De Chirico identified himself with the gallant heroes of old Greece, and especially with Odysseus; I assume for his symbolic meaning: imagination and allegory.

Most of De Chirico's paintings from 1911 until 1917 are very sad, I would say. There is almost a feeling of no familiarity, a feeling of something inexplicably unpleasant, and a feeling of mysterious melancholy. Without any doubt they are great in a strange way. There is lots of feeling of the ancient past, lots of meeting between words, objects, architecture, history, and the sound of silence, the weirdness of the perspective, persons, the imagination, and fantasy. It is a perfect, beautiful match between a poet and an artist.

There is one painting I absolutely adore.  I didn’t see it in the flesh unfortunately. Maybe if I had, my perception of it would be different.  It is ‘The Disquieting Muses’ from 1916.

The Disquieting Muses - oil on canvas, 1916

In the background appears the Castello Estense or the Castle of Saint Michele of Ferrara. Ferrara was considered by De Chirico as a metaphysical city.  In the centre of the painting are two tailors’ dummies, waiting for something unexpected, for someone to rescue them from the nostalgia, thinking about a glorious past, talking to their own unconscious. Who knows? Moreover the answer isn’t important at all, what is important is the melancholically beautiful poetry of De Chirico's imagination.